The second exhibition by Bettina Klein, guest curator at the CEAAC, deals with the perception and observation of objects and micro-events. Presenting natural and man-made objects, fragments and recipients as artefacts of a collective cultural memory, it confronts viewers with succinct narratives, encouraging them to focus on the physical or even metaphysical proprieties of the works on display which, similar to the objects in a still life painting, can be likened to excerpts from the world that surrounds us.

Gloss I is the title of the large-format photograph by Becky Beasley that introduces the exhibition. The black-and-white print shows a shelf-like construction - an object normally used as a presentation device for other items. In this photograph, however, the structure resembles a prototype design whose basic shape has been sketched but left incomplete. In actual fact, the artist built an unfinished 2/3 scale model of a standard piano. The dark surfaces of the wooden beams are painted in part glossy, part matte lacquer. Similar to 19th-century photographs, in which neutral backgrounds were used to compensate for lacking depth of field, the object in this picture is shown standing in front of light-coloured paper rolls, which has allowed the artist to isolate it from its surroundings.

In its current version, Wolf von Kries's ongoing video project Jars consists of a series of fifteen sequences filmed in different venues. The chain-like structure of the film links such disparate objects as the slowly opening door of a cupboard in a bourgeois interior setting, a stingray being slaughtered, two construction cranes moving towards each other under a pale half-moon, or a snow flurry at night. The film is subdivided into chapters, each comprising three sequences and separated by a black frame. The hand-held camera movements and the ambient noise lend the film a documentary-like character, but the minute actions it depicts have been removed from their original context, leaving viewers unsure as to their location in time or space. Von Kries's images are contemplative observations - a personal archive of "jars" filled with images.

Becky Beasley's Five Revolutions show a flowerless orchid that was photographed from three different angles. On two of the five black-and-white photographs the motif has been inverted, on another it was printed upside down. On the one hand the sequence of points of view suggests movement, as though the gaze were circling a sculpture, while on the other hand the work addresses the photographic process as such (recording, developing, printing). In this modern-day vanity, time and transience are present on several levels, as witness for instance the plainly visible signs of wear on the cardboard-mounted photographs.

Oak rumble is the title of Leon Vranken's reconstruction of an antique museum display case. Similar to Becky Beasley's Gloss I, Vranken's work shows an empty "recipient" - an object originally designed to store precious exhibits. By indenting parts of the furniture, Vranken created a seemingly unstable structure, thus undermining the showcase's protecting function. This allows the object's sculptural characteristics to come to the fore, while its make and materiality become merely self-referential.

"Poire Prisonnière" (Prisoner Pear) is the colloquial name of a traditional strong liquor that is still being produced in a few distilleries in Switzerland, Alsace and the Black Forest region. The pears used in this alcoholic beverage are allowed to mature inside the bottle before they are immersed in schnapps made from Williams pears. For her project, the English artist Tacita Dean initially intended to document the harvesting of these "bottle pears". As the picking season was over, she decided instead to buy two regular bottles of this schnapps, from Alsace and another French region respectively. She then proceeded to film the bottles to create an animated still life, a contemplative observation of the two pieces of fruit in their glass recipients, with the slowly changing light the only noticeable action. The "Prisoner Pears" thus turn into a Prisoner Pair (2008) whose "inner life, a landscape of microscopic details and activity" (T. D.) we observe.

Seen from afar, Katinka Bock's Partition en automne (2009) resembles the horizon line of a hilly landscape. This installation consists of small branches that the artist collected after a storm and reassembled into a new entity. Despite the variations in colour and texture of the branches, which stem from different types of trees, they form a harmonious unity that belies the delicacy and sketchiness of the line. Bock develops her works according to the inner logic of the materials she uses, whose intrinsic characteristics she highlights by means of minimal interventions.

...

Throughout the exhibition, Dan Peterman's installation Archive (for 57 people) will be displayed in the lobby of the CEAAC. The Chicago-based artist's practice has been using recycled materials since the 1980s. The amount of plastic components used for the construction of the pieces of furniture shown here represents the average annual consumption of 57 US citizens. Peterman has devised a number of similar installations for art galleries and public spaces. While remindful of minimalist sculpture, his installations are functional objects in which ecological concerns are given a physical shape.

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Becky Beasley
1975 née à Portsmouth, Royaume-Uni.
Vit et travaille à Anvers

Expositions individuelles (sélection)
• Office Baroque Gallery, Antwerp (BE) (forthcoming) (2010)
• German Soup, Laura Bartlett Gallery, London (GB) (2009)
• Malamud, Office Baroque Gallery, Antwerp (BE) (2008)
• The Man Nobody Could Lift, Office Baroque Gallery, Artissima 15, Turino (IT) (2008)
• Three Notable American Novellas, Laura Bartlett Gallery, London (GB) (2007)
• The Index of Maladjustments, Laura Bartlett Gallery, Artissima, Turino (IT) (2007)
• Eleven Years Later, Office Baroque Gallery, Antwerp (BE) (2007)
• Décors du Silence!, UBU Gallery, Glasgow (GB) (2006)
• Six Storeys, Millefiori Art Space, Athens (GR) (2004)
• Thru Darkly Night, Whitechapel Project Space, London (GB) (2003)

Expositions collectives (sélection)
• En présence, CEAAC, Strasbourg (FR) (curated by Bettina Klein) (2010)
• Karaoke, Fotohof Salzburg (AT) (2010)
• Evidence of the Paranormal, Klaus von Nichtssagend Gallery, Brooklyn, NY (US) (curated by Chris Sharp) (2009)
• Personne, Galerie Schleicher+Lange, Paris (FR) (curated by Bettina Klein) (2009)
• Group Show, Autocenter, Berlin (DE) (curated by Max-Hans-Daniel) (2009)
• Shining by Absence, Nogueras Blanchard, Barcelona (ES) (curated by Jacqueline Uhlmann) (2009)
• Drawing 2009 Biennial Fundraiser, The Drawing Room, London (GB) (2009)
• Cui Prodest?, New Galerie de France, Paris (FR) (curated by Francesco Stocchi) (2009)
• It's Not for Reading. It's for Making, FormContent, London (GB) (2009)
• Slow Movement or: Half & Whole, Kunsthalle Bern (CH) (curated by Philippe Pirotte and Elfriede Schalter), (cat.) (2009)
• Don't Expect Anything, Francesca Minini, Milano (IT) (2009)
• Hannah Beyond the Mirror, American Academy in Rome, Roma (IT) (curated by Francesco Stocchi) (2009)
• Why is there something rather than nothing?, Ignasi Aballi - Becky Beasley - Stefan Brüggeman, Galleria Galica, Milano (IT) (curated by Filippa Ramos) (2008)
• Word Event, Kunsthalle Basel, Basel (CH) (2008)
• Schüttelreime, Office Baroque Gallery, Antwerp (BE) (2008)
• W., Becky Beasley and Kate Atkin, Museum 52, New York (US) (2008)
• Building, Dwelling, Thinking, Laura Bartlett Gallery, London (GB) (2008)
• In Our World: New Photography in Britain, Galleria Civica Modena, Modena (IT) (curated by Fillippa Maggia) (cat.) (2008)
• Oh a Rhinoceros!, Ubu Gallery, Glasgow (GB) (2007)
• Ost Property, Danielle Arnaud, London (GB) (2007)
• Black & White, IBID Projects, London (GB) (2007)
• Anatomies of Desire, Encosta Galeria, Lisboa (PT) (2006)
• Bloomberg New Contemporaries 2006, Liverpool, London (GB) (2006)

Liens:
http://www.beckybeasley.com
http://www.officebaroque.com
http://www.laurabartlettgallery.co.uk

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Katinka Bock
1976 née à Francfort sur le Main
Vit et travaille à Paris

Expositions individuelles (sélection)
• Kunstmuseum Stuttgart, Stuttgart (DE) (2010)
• Fondacione Pastifico Cerrere, Roma (IT) (2010)
• Galerie Jocelyn Wolff, Paris (FR) (2009)
• Umland, Kaufhaus Joshke, Leipzig (DE) (2009)
• Kunstverein Nürnberg, (DE) (curated by Kathleen Rahn) (2009)
• The sound of distance, de Vleeshal, Middelburg(NZ) (curated by Lorenzo Benedetti) (2009)
• Kanon, Centre d'art contemporain de la Synagogue de Delme (FR) (2008)
• Volumes en extension, Centre d'art Passerelle, Brest (FR) (2007)
• Bäume wachsen, Ströme fliessen, Galerie Jocelyn Wolff, Paris (FR) (2007)
• Gewissen, Galerie OÙ, Marseille (FR) (2006)

Expositions collectives (sélection)
• Elles, Centre Pompidou, Paris (FR) (2010)
• Pieter Vermeersch hosts...three artists from Galerie Wollff; Projecte SD, Barcelona (ES) (2009)
• Capturing time, Kadist Art Foundation, Paris (FR) (curated by Jérémy Levinson) (2009)
• CAC Les églises, Chelles (FR) (2009)
• (Z)ART, Galerie Abtart, Stuttgart (DE) (curated by Jan Hoet) (2009)
• Playground, STUK, Leuven (BE) (2009)
• Leaves and lectures (to leaf through the space), art statement, Art 40 Basel (CH) (2009)
• Le travail de rivière, centre d'art contemporain - Crédac, Ivry sur Seine (FR) (curated by Claire Le Restif) (2009)
• Die Letzten Dinge, Platform Garanti, Istambul (TR) (curated by Carina Plath) (2009)
• Les matériaux du possible, du pragmatisme au romantisme, fondation d'entreprise Ricard, Paris (FR) (curated by Anne Bonnin) (2009)
• La Notte, Kunsthalle Mulhouse - centre d'art contemporain La Fonderie, Mulhouse (FR) (2009)
• Playtime, Bétonsalon, Paris (FR) (curated by Mélanie Bouteloup and Grégory Castera) (2008)
• Group show including Robert Filliou, Guillaume Leblon and Joëlle Tuerlinckx, Galerie Jocelyn Wolff, Paris (FR) (2008)
• Art Grandeur Nature, Biennale d'art contemporain Seine Saint Denis, CAC Noisy-le-Sec (FR) (curated by Simon Boudvin and Marianne Lanavère) (2008)
• Urbaines Ellipses, Galerie Fernand Léger, Centre d'art contemporain d'Ivry-sur-Seine (FR) (2008)
• Here We Dance, Tate Modern, London (GB) (curated by Vanessa Desclaux, Ann Coxon) (2008)
• Ein Koffer mit 7 Sachen. Y alzar velas, marte upmarket arte contemporaneo, Montevideo (UY) (2007)
• Protéger, Enfermer, Centre d'art contemporain la Synagogue de Delme, Marsal (FR) (2007)
• Partners in crime - vol.3, with Martina Salzberger, Raum500, Munich (DE) (2007)
• wood, photographs, aluminium plate, ..., Galerie Jocelyn Wolff, Paris (FR) (2006)
• storylines, Centre d'Art Passerelle, Brest (FR) (2006)
• Territories - les lacets sont défaits, Kunstverein Tiergarten, Berlin (DE) (2006)

Lien:
http://www.galeriewolff.com

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Tacita Dean
1965 née à Canterbury, Royaume-Uni.
Vit et travaille à Berlin.

Expositions individuelles (sélection)
• Kurt Schwitters Prize 2009 of the Lower Saxony Savings Bank Foundation: Tacita Dean, Sprengel Museum Hannover (DE)* (2009-2010)
• Tacita Dean, Musée d'art contemporain de Montréal (CA) (2009)
• Still Life, Fondazione Nicola Trussardi/Palazzo Dugnani, Milano (IT) (2009)
• Merce Cunningham performs STILLNESS (in three movements) to John Cage's composition 4'33" with Trevor Carlson, 28 April, New York City (US) (2008)
• (six performances; six films), Dia Beacon, New York (US) (2007)
• Tacita Dean, Hugh Lane Gallery, Dublin (IE) (2007)
• Tacita Dean, Guggenheim Museum, New York (US) (2007)
• Tacita Dean: Film Works, Miami Art Central (US) (2007)
• Analogue: Films, Photographs, Drawings 1991-2006, Schaulager, Basel (CH)* (2007)
• Human Treasure, Center for Contemporary Art Kitakyushu, Japan (JP)* (2007)
• Berlin Works, Tate Saint Ives, Cornwall (GB)* (2005-2006)
• Baobab, Fondazione Sandretto Re Rebaudengo, Turino (IT)* (2004-2005)
• Tacita Dean, ARC, Museé d'Art moderne de la Ville de Paris (FR)* (2003)
• Tacita Dean, Ludwig Forum für Internationale Kunst, Aachen Art Prize, Aachen (DE) (2002-2003)
• Tacita Dean, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (DE)* (2002)
• Tacita Dean, Museu d'Art Contemporani de Barcelona (ES)* (2001)
• Recent Films and Other Works, Tate Britain, London (GB)* (2001)
• Tacita Dean, Museum für Gegenwartskunst, Basel (CH)* (2000)

Expositions collectives (sélection)
• From Holbein to Tillmans, Schaulager, Basel (CH)* (2009)
• Sonic Youth: Sensational Fix, Malmö Konsthall, Malmö (SE) (2009)
• The Quick and the Dead, Walker Art Center, Minneapolis (US)* (2009)
• Lost Paradise - The Angels Gaze, Zentrum Paul Klee, Bern (DE)* (2008)
• Marking Time, York Art Gallery (GB) (2007)
• Sea Pieces: From Max Beckmann to Gerhard Richter, Hamburger Kunsthalle (DE)* (2007)
• 27th Biennale of São Paulo (BR) (2006)
• 15th Biennale of Sydney (AU) (2006)

* indique la parution d'un catalogue

Liens:
http://www.mariangoodman.com
http://www.frithstreetgallery.com

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Wolf von Kries
Né en 1971 à Berlin.
Vit et travaille à Berlin.

Expositions personnelles (sélection)
• Échantillons sans valeur, La Ferme du buisson, Marne-La-Vallée (FR) (2010)
• Schattenspiele, Platform, Vasa (FI) (2009)
• May Day, TÄ, Berlin (DE) (2008)
• Avaruus Lakana, Platform, Vasa (FI) (2008)
• White Noise (Schnee), MB Prospects, Berlin (DE) (2008)
• Broad Way, La Planck, galerie Air de Paris, Paris (FR) (2007)

Expositions collectives (sélection)
• Casting, Visite ma Tente, Berlin (DE) (2010)
• En présence, Centre Européen d'Actions Artistiques Contemporaines, Strasbourg (FR) (2010)
• Mirrors, Backfabrik, Berlin (DE) (2010)
• Collaborations, Autocenter, Berlin (DE) (2009)
• Catch Of The Day, Forgotten Bar Project, Galerie im Regierungsviertel, Berlin (DE) (2009)
• Material Evidence, Loop, Berlin (DE) (2009)
• Phoenix vs. Babylon, Fondation d'Entreprise Ricard, Paris (FR) (2008)
• If you Give me the Mountains I Will Ask for the Sea, Peter Lav Photo Gallery, Copenhague (DK) (2008)
• Freunde und Bekannte, Sparwasser HQ, Berlin (DE) (2008)
• Zapping Unit, Ferme de Buisson, Marne-La-Vallée (FR) (2008)
• Mieux vaut être un virus que tomber malade, Mains d'Œuvres, Paris (FR) (2008)
• Quantity as Quality, Kunsthalle Exnergasse, Vienne (AT) (2007)
• Double Space, Ssamzie Space, Séoul (KR) (2007)
• High Lights, Galerie Mikael Andersen, Berlin (DE) (2007)
• Le Syndrome de Broadway, Parc Saint Léger, Centre d'art contemporain, Pougues-Les-Eaux (FR) (2007)
• 01/01, Poliflur, Berlin (DE) (2007)
• Accessories, Galerie Mikael Andersen, Copenhague (DK) (2007)
• Anonymous, Schirn Kunsthalle, Frankfurt am Main (DE) (2006)
• Sans Conservateurs, Le Commissariat, Blank, Paris (FR) (2006)
• Blurring Spaces, Ssamzie Space, Séoul (KR) (2006)
• Préfixes, La Box, Bourges (FR) (2006)
• 5thBerlin Biennale, Brix, Berlin (DE) (2006)

Liens:
http://www.wolfvonkries.de
http://www.lafermedubuisson.com/wolf-von-kries.html

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Leon Vranken
1975, né à Maaseik, Belgique
vit et travaille à Anvers

Expositions individuelles (sélection)
• The travelling Riddle, Stella Lohaus Gallery, Antwerp (BE) (2009)
• The Garden with the Two-forked Paths, Diaz Contemporary,Toronto (CAN) (2007)
• Verger Barré (with Pol Mathé), Maes & Matthys Gallery, Antwerp (BE) (2007)

Expositions collectives (sélection)
• Beyond these walls, South London Gallery, London (GB) (2009)
• Prijs Jonge Belgische Schilderkunst, Bozar, Brussels (BE) (2009)
• Exhibition in a matchbox, Slachthuislaan 68, Antwerp (BE) (a Middelheim production) (2009)
• Prix Ariane de Rothschild, Tour&Taxis, Brussel (BE) (2008)
• Honorons Honoré, De Garage, ruimte voor actuele kunst, Mechelen (BE) (2008)
• Just a four-letter word, Museum Dhondt-Dhaenens, Deurle (BE) (2007)
• SLOW, Z33, Hasselt (B) (2007)
• Nieuwe Collectie, Museum Wuyts-Van Campen, Lier (BE) (2007)
• Meesterproef/i.o.v. Vlaamse Bouwmeester, Kortrijk (BE) (2007)
• Vanaf nu!.., LLS 387, Antwerp (BE) (2007)
• Small Stuff Three, Herman Teirlinckhuis, Beersel (BE) (2007)
• The Moss Gathering Tumbleweed experience, Klerkx gallery, Milano (IT) (2007)
• Full House, Huis van Winckel, Dendermonde (BE) (2007)
• Europalia-Europa, Brussels (BE) (2007)
• My eyes keep me in trouble, Nieuwe Vide, Haarlem (NL) (2007)
• Het Gebouw, STUK, Leuven (BE) (2007)
• The Moss Gathering Tumbleweed experience, NICC, Antwerp (BE) (2007)
• Academy, douze points, MUHKA, Antwerp (BE) (2006)
• First things first, CCNOA, Brussels (BE) (2006)
• LeereXvision, MARTA, Herford (DE) (2006)
• Jour Fixe, Factor 44,Antwerp (BE) (2006)
• A Perfect Present, Theaterplein,Antwerp (BE) (2006)
• Decade, Urban Espresso Bar, Rotterdam (NL) (2006)

Liens:
http://www.stellalohausgallery.com
http://www.ccnoa.org/Vranken
http://www.hanstheys.be/artists/leon_vranken

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Dan Peterman
1960 né à Minneapolis, Minnesota, U.S.A.
Vit et travaille à Chicago

Expositions individuelles (sélection)
• Andrea Rosen Gallery, New York (US) (2006)
• Adaptations, Klosterfelde, Berlin (DE) (2006)
• Museum of Contemporary Art, Chicago (US) (2004)
• Museum Abteiberg, Mönchengladbach (DE) (2002)
• Klosterfelde, Berlin (DE) (2002)
• Parallel Exerpts from the Universal Lab, Andrea Rosen Gallery, New York (US) (2002)
• 7 Deadly Sins, Kunstverein Hannover (DE) (2001)
• Helga Maria Klosterfelde, Hamburg (DE) (2001)
• Recent Economies, Andrea Rosen Gallery, New York City (US) (1999)
• finishing room (cheese), Klosterfelde Berlin (DE) (1999)
• Le Creux de l'enfer, Thiers (FR) (1998)
• Kunsthalle Basel (with Tobias Rehberger) (CH) [cat.] (1998)
• Currents 73: Dan Peterman, The Saint Louis Art Museum, Saint Louis, MO (US) (1998)
• Accessories to an Event (plaza), Museum of Contemporary Art, Chicago, IL (US) (1998)

Expositions collectives (sélection)
• Moral Imagination/Art and Climate, Museum Morsbroich, Leverkusen (DE) (curated by Raimar Stange) (2009)
• Insolubles solides, bétonsalon, Paris (FR) (curated by Cyril Dietrich) (2008)
• Heartland, Van Abbemuseum, Eindhoven (NL) (2008)
• Summer on the Isle of River Elbe, Forum of Culture/Nature, Artistic and contextual forum by Anke Haarmann and Harald Lemke [AHL], Hamburg Wilhelmsburg (DE) (2008)
• Moral Imagination/Art and Climate, Kunstmuseum Thurgau, Warth (CH) (curated by Dorothee Messmer and Raimar Stange) (2008)
• Supernatural, CCA Kunsthalle Andratx, Mallorca (ES) (curated by Friederike Nymphius) (2008)
• Hanne Darboven, Matt Mullican, Dan Peterman, Klosterfelde, Berlin (DE) (2008)
• NACHVOLLZIEHUNGSANGEBOTE, Kunsthalle Exnergasse, Vienna (AT) (upcoming) (2007)
• Auszeit. Kunst und Nachhaltigkeit, Kunstmuseum Liechtenstein (FL) (2007)
• Sharjah International Biennial 8, Sharjah Art Museum, United Arab Emirates (AE) (2007)
• Deutsche Geschichten, Galerie für Zeitgenössische Kunst, Leipzig (DE) (2007)
• Beyond Green. Toward a sustainable art, Museum of Art & Design, New York (US) (2006)

Bibliographie sélective
• Dan Peterman: Plastic Economies (cat. exp.), éd. by MCA Chicago, 2004.
• Dan Peterman, 7 Deadly Sins And Other Stories (cat. exp.), Kunstverein Hannover, 2001.
• Peter Pakesch, Jamie Kalven, Dan Peterman (cat. exp.), Kunsthalle Basel, 1998.

Liens:
http://www.experimentalstation.org
http://www.klosterfelde.de
http://www.andrearosengallery.com

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Week-end de l'art contemporain
Programmation vidéo, sélectionnée par Bettina Klein.
Projection en continu, le 20 et 21 mars, de 14 à 18h.


Dans le cadre du week-end de l'art contemporain, le CEAAC vous invite au Salon de l'appartement international pour une programmation vidéo sélectionnée par Bettina Klein les samedi 20 et dimanche 21 mars de 14h à 18h:

Alain Resnais, Le chant du styrène, 1958, 13 min.
Du bol en plastique au pétrole, toute la cha�ne industrielle conduisant à la fabrication des objets en plastique.
Des images d'objets en plastique défilent et s'arrêtent sur un bol. La trame du film remonte ensuite de ce bol au moule qui lui a donné naissance puis au matériau (le polystyrène), à sa coloration ... pour finir sur le charbon et le pétrole, matières premières du plastique en passant par le styrène. Ce film documentaire a été commandité par le groupe Pechiney.
Le commentaire en voix off a été écrit par Raymond Queneau en alexandrins, tandis que la musique a été composée par Pierre Barbaud, créateur de la musique algorithmique.

Daniel Pflumm, Europäischer Hof, 2002, 5 min.
Une suite rapide et vertigineuse d'images de spots publicitaires extraits d'émissions de télé à travers le monde.
Liquides alimentaires et produits cosmétiques forment un flot de matières irréelles et ultra lisses.

Sofia Hultén, Getting Rid of Stuff, 2001, 5 min.
L'artiste se débarrasse d'objets trouvés dans l'entrepôt d'un espace d'exposition, les abandonnant discrètement dans l'espace urbain.

John Bock, Gast (Visiteur), 2004, 11:27 min.
L'étrange périple d'un lapin dans l'appartement de l'artiste et ses interactions avec les objets qu'il y rencontre.

Sofia Hultén, Fuck it up and start again, 2001, 7 min.
Une guitare est démolie et réparée sept fois.

Gernot Wieland, Betrachtung eines Übergangs (Contemplation d'un passage), 2005, 3:22 min.
Un film d'animation en pâte à modeler qui raconte l'histoire d'une femme atteinte d'hallucinations verbales.
A la fin de sa vie, elle regarde ses archives pleines de choses accumulées...

Courtesy:
Galerie Andreas Huber, Wien (Gernot Wieland); Galerie Neu, Berlin (Daniel Pflumm);
Galerie Konrad Fischer, Berlin (Sofia Hultén); Galerie Klosterfelde, Berlin (John Bock)

Visite commentée de l'exposition « En présence » par Gérald Wagner le dimanche 21 à 14h30.

Entrée libre

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Commissaire invitée: Bettina Klein
*1970 à Wadern / Sarre, vit et travaille à Berlin.
études d’histoire de l’art et de littérature française à Marburg, Toulouse et Berlin.

Commissariat d'expositions (sélection)
• Personne, exp. collect. (Becky Beasley, Gert Robijns, Eiko Grimberg), Galerie Schleicher & Lange, Paris (nov. 2009)

Commissaire des expositions du prix artistique allemand blauorange:
• Kitty Kraus, Kunstverein Heilbronn (2008)
• Björn Braun, Kunstverein Braunschweig (déc. 2009)

• Filaturen, exp. collect. (Hervé Beurel, Simon Denny, Sergej Jensen, Ian Kiaer, Kitty Kraus, Victor Man, Gyan Panchal, Gert Robijns, Pierre Savatier), Galerie Sies+Höke, Düsseldorf (2007)
• Le mythe du cargo, exp. collect. (Gérard Fromanger, Tue Greenfort, Daniel Pflumm, Bernard Rancillac, Franck Scurti, Iren Stehli, Christine Würmell), Galerie Fernand Léger, Ivry-sur-Seine (2007)
• Objet à part, exp. collect. (Ryan Gander, Alexander Gutke, Maria Loboda, Kirsten Pieroth, Wilhelm Sasnal, Albrecht Schäfer, Florian Slotawa, Simon Starling), La Galerie, Noisy-le-Sec (2006)
• Ce qui reste, exp. collect. (Oystein Asaan, Hervé Beurel, Tue Greenfort, Markus Lohmann, Jonathan Monk, Manfred Pernice, Albrecht Schäfer, Corinna Schnitt, Monika Sosnowska, Christine Würmell), FRAC Bretagne, Galerie du TNB, Rennes (2004)

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Horaires d’ouverture
Ouverture du mercredi au dimanche de 14h à 18h.
Fermeture les jours fériés

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Visites commentées
Visites commentées et accueil scolaire sur rendez-vous au +33 (0)3-88-25-69-70 - services entièrements gratuits - www.ceaac.org.

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CEAAC
7, rue de l'Abreuvoir
F-67000 Strasbourg, France
Tél. : +33 (0)3-88-25-69-70
Fax : +33 (0)3-88-35-59-77
www.ceeac.org
info@ceeac.org

Gérard TRABAND
Président du CEAAC
Vice-Président de la Région Alsace

Evelyne Loux
Directrice

Paul Guérin, Chargé de mission
Karine Jumel, Assistante de direction, contact presse
Élodie Gallina, Chargée des relations internationales
Gérald Wagner, Chargé des relations avec le public
Roland Görgen, Régisseur

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Accessibilité
Du centre ville, place de l’Homme de Fer, 2 solutions :

Prendre le tram A direction Illkirch Lixenbuhl ou tram D direction Etoile Polygone, arrêt Etoile Bourse ; puis prendre le bus 15 direction Robertsau Mélanie, arrêt Cité Administrative.

Prendre le tram C direction Esplanade arrêt Esplanade ; puis prendre le bus 15 direction Holtzheim Ouest arrêt Cité Administrative.


Agrandir le plan

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Colophon
Commissaire invitée: Bettina Klein
Design: Heimann und Schwantes, Berlin
Réalisation: Josse de Bruijne, Leipzig

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